MJ- Teaching Portfolio

         This course explores key elements of visual storytelling in narrative film, television, advertising and commercials. It began as an exploration of how a script is enacted as a film, through staging, camera movement and editing. However, it has become apparent that, given the rapid convergence of media, the process of visualization cannot be isolated to a single medium.   Today, many forms of media strive to emulate classical film narrative in its 'look' and structure; film directors cross over from film to commercials or music videos and back; and the techniques from one medium influence the visual structure of another medium-- the opening cut scenes in Halo now rival the opening scene of Avatar.       Required texts and software: On Filmmaking: An Introduction to the Craft of the Director by Alexander Mackendrrick Faber and Faber ISBN-13: 978-0-571-21125-8 Directed by Spielberg: Poetics of the Contemporary Holly...

                                     MDSC 305                                             Film Editing                                         Prof. Jim é nez              “Editing is the creative force of filmic reality … and the foundation of film art. “                        V.I. Pudovkin, 1915                                            "Editing is storytelling”                              ...

     MDSC 308              CINEMATIC EFFECTS         Prof. Jiménez     This course is an introduction to visual effects in film, television, and commercials. Using industry-standard compositing software (After Effects) students will learn basic compositing techniques, such as green screen keying, rotoscoping and match moving, within the context of the history and art of visual effects. Since its inception, film has been drawn to the possibility of altering reality through visual effects in the works of Gorges Melies; with the advent of digital compositing, special effects have gained added importance in contemporary filmmaking. Moreover, visual effects as 'staged' reality go beyond film to encompass the function of illusionism in Western representation as shown by Norman Klein in " Vatican to Vegas: A History of Special Affects."     Required Texts:    McClean, Shilo, ...